Hi, I'm

Hazal


I am a Cypriot industrial designer who uses research, participatory methods and material storytelling to create artifacts, experiences and narratives that question dominant ideas of what is valuable. Through my work, I ask what worlds we carry with us, who gets to represent them, and how design can help imagine where they go next.

I am a Cypriot industrial designer who uses research, participatory methods and material storytelling to create artifacts, experiences and narratives that question dominant ideas of what is valuable. Through my work, I ask what worlds we carry with us, who gets to represent them, and how design can help imagine where they go next.

Eindhoven University of Technology

A young girl smiling

Figure 1. Photo by Oskar Malage (2025)

Featured Expertise Areas

(own photo)

Technology & Realization

(own photo)

Creativity & Aesthetics

My PDP(s)

PDP Graveyard

PDP Graveyard

Loose Ends (Goveia da Rocha et al., 2022) of the Past

Year 1

CBL Project 2

During this project, I discovered my interest in soft robotics and designed an adapted mechanism of a 'vine robot' (Coad et al., 2020).

Year 1

CBL Project 2

During this project, I discovered my interest in soft robotics and designed an adapted mechanism of a 'vine robot' (Coad et al., 2020).

Year 2

Digital Craftsmanship

Here I overcame my fear of industrial machinery and gained an interest in textile processing machinery in particular.

Year 2

Digital Craftsmanship

Here I overcame my fear of industrial machinery and gained an interest in textile processing machinery in particular.

Year 2

Multidisciplinary CBL

I seem very interested in bio-inspired design, from Creative Programming (earthworms!) to CBL Project 2 (earthworms again!), to Sustainabiliy & Design (moles!), to this course (silk moths!). I wonder which insect is next...

Year 2

Multidisciplinary CBL

I seem very interested in bio-inspired design, from Creative Programming (earthworms!) to CBL Project 2 (earthworms again!), to Sustainabiliy & Design (moles!), to this course (silk moths!). I wonder which insect is next...

About Me

Figures 2, 3 and 4. Photos by Oskar Malage (2025)

Professional Identity

I am an industrial designer who (co-)creates products, experiences and interventions informed by multidisciplinary discovery, participatory methods and pluriversal approaches. I am particularly interested in questioning emerging technologies and standards presented as universal, and exploring more situated and caring alternatives. Growing up on an island divided by war, colonialism and ongoing conflict taught me to be cautious of generalized solutions to complex societal challenges. Instead, I value locally situated approaches that acknowledge the knowledge, histories and aspirations already present within communities, aligning with Escobar’s (2018) concept of autonomous design within pluriversal design.

Vision

My vision is to use industrial design to create tangible products, experiences and conditions through which communities can collectively imagine alternative futures. I believe aesthetics, materiality and interaction can make these futures temporarily experiential, allowing people to reflect on assumptions that are otherwise difficult to question. Rather than defining preferable futures for others, I want to design participatory and speculative interventions where different communities can critically imagine, experience and negotiate futures grounded in their own knowledge, dignity and ways of living.

Future Goals

I want to practice presenting concepts in corporate settings.

I want to practice presenting concepts in corporate settings.

I want to stay involved in community-oriented projects and trainings.

I want to stay involved in community-oriented projects and trainings.

I want to strengthen my software proficiency in context.

I want to strengthen my software proficiency in context.

I want to start a GitHub or similar documentation platform for my data and computation-related social projects.

I want to start a GitHub or similar documentation platform for my data and computation-related social projects.

References


Coad, M. M., Blumenschein, L. H., Cutler, S., Zepeda, J. A. R., Naclerio, N. D., El-Hussieny, H., Mehmood, U., Ryu, J.-H., Hawkes, E. W., & Okamura, A. M. (2020). Vine Robots. IEEE Robotics & Automation Magazine, 27(3), 120–132. https://doi.org/10.1109/MRA.2019.2947538
Escobar, A. (2018). Autonomous design and the emergent transnational critical design studies field. Strategic Design Research Journal, 11(2), 139–146. https://doi.org/10.4013/sdrj.2018.112.10

Goveia da Rocha, B., Andersen, K., & Tomico, O. (2022). Portfolio of Loose Ends. Proceedings of the 2022 ACM Designing Interactive Systems Conference, DIS ’22, 527–540. https://doi.org/10.1145/3532106.3533516

Y-PLAN. (n.d.). y-plan: Youth for Participatory and Localized Action in Neighborhoods. Y-Plan. Retrieved https://www.y-plan.eu/en/

I acknowledge the use of generative artificial intelligence in the preparation of this portfolio. I utilized Claude Sonnet 4.6 to help make my writing more concise. The prompts used included inputting my own original text and asking it to shorten text or sentence structures. Prompt example: “This is the [insert section name] section I wrote. It needs to be around [x] words shorter. Help me make it more concise by removing redundant content, structures or reordering sentences. Do not fabricate, and do not change the linguistic style, tone or range of vocabulary used in the text.” The output from these prompts was used critically, to aid in the process of editing the written sections of this portfolio. I took two measures to minimize data collection, in line with my own principles: I did not upload any sensitive data as a prompt, and I used Claude on Incognito Mode, which allegedly does not store the data or use it for learning. Vizcom AI was also used as part the creative process of the FBP, as detailed in the ‘Present’ section. The prompt workspace is documented and provided as an attached link.

Any Feedback?

As a designer-in-training, and even as a human, I am always a work in progress; please feel free to reach out with your feedback and suggestions.

Hazal Say Ötün ©all rights reserved

Any Feedback?

As a designer-in-training, and even as a human, I am always a work in progress; please feel free to reach out with your feedback and suggestions.

Hazal Say Ötün ©all rights reserved